6.What do you have in creation? 1. repeat 2. old words 3. words zі menshuvalno-pestilnymi Suffixes 4. Podviyna voice
Information sheet. Learn about theoretical materials from your information card. Listen to the teacher's message. Supplement the card with the necessary information, in your opinion. Bilina is a solid source of folk creativity that is based on ………………… ………………………………………………………………………………………………….. Bilina consists of the following parts: 1) sleep (introduce reading in the world of folk mysticism); 2) the beginning (indicated by the place of the day, the name of the main character); 3) tying (poya is important); 4) climax (central stage); 5) outcome (victory of the positive hero); 6) ending (glory is given to the hero). Artistic features of the biline: 1) repeat words, episodes, episodes; 2) animal husbandry; 3) tricity (often the number three is a multiple of the third number). The bowline top is a special top, based on an equal number of rows in rows (most often there are 3 parts in a row) and, however, the distribution of shock folds like a leather row (often shock is the third one at the end of the row). Addendum No. 2 Bulini. Artistic features of bilin. The sleep of the people's poetry has been greatly reduced since they were unable to read or write. (Slide 2 ends here) Rich and varied folk creativity. In Kazakh songs, people learned about important historical events, about their work, about their adventures and secrets, and about a happy, just life. (Slide 3 ends here) Folk wisdom, caution, abundance and virtuosity of folk language are found in sayings, orders, riddles. (Slide 4 ends here) Vinyatkov's interest among works of folk art is represented by bilins - artistic and historical songs about heroes, folk heroes. (Slide 5 ends here) The main cycles of bilin: Novgorod and Kiev (Slide 6 ends here) The event for most Bilins will take place in Kiev. These books tell about the life, life and people of the other largest city of ancient Russia - Novgorod (boules about Sadko, about Vasily Buslaev). (Slide 7 ends here) Kiev bilins are heroic (or heroic) bowls. Heroic stories tell about the man's defense of the fatherland, about the rich, their struggle against the nomadic enemies who attacked the country. (Slide 8 ends here) Bilini will be behind the singing plan. Most bilins begin with a beginning. Ask anyone to talk about the place of action or about those where the rich man went (Slide 9 ends here) From that place from Murom, from that village, that Karacharova, having seen in the distance a kind, good fellow. to the glorious place of Chernigov, where in that place of Chernigov the forces were driven black and black, and black and black, like a black crow. (Slide 10 ends here) Pods in bilins are laid out in a strict order, sequentially. The conversation is conducted gradually, without haste. (Slide 11 ends here) So, as the Bilins lived in the old show, they finally focused the respect of the listeners on especially important, in my opinion, places. For this reason, there is a wide repetition in bilins, call three times. Thus, in the biography about Illya of Murom and Nightingale the Robber, the description of the power of Nightingale the Robber is repeated three times. (Slide 12 ends here) To give a new biline, create a more expressive, musical composition, often repeating words around the bilin. The straight path is blocked, The path was blocked up and walled up. At the capital city in Kiev, At the prince's at Volodymyr's. (Slide 13 ends here) Repetitions occur in the text of one and the same biline. Various bilins, however, describe similar events, phenomena, such as the saddle of a rich horse, a banquet at Prince Volodymyr, a sorcerer of power, a battle of rich men with enemies, etc. (Slide 14 ends here) Sometimes the bilines end with a special ending - laying the bilins from the same place: That's the old man, that's the activity, That's how it used to be in the old days, it's nonsense. (Slide 15 ends here) The leading hero is Bilin, a Russian hero. In order to more clearly demonstrate the power of the hero, take hyperbole (excess). For example, the axis is described as a hero with magical powers. When the rich man waves his right hand, a street appears in the middle of the warrior’s camp, and a path opens with his left hand. The hero's club (sword) costs forty or ninety pounds. (Slide 16 ends here) If a hero falls asleep, then “the hero’s sleep lasts twelve days” (days). To become a hero is the same thing: “the first leap of a horse is many miles away, and the next leap is impossible to know.” To give voice to the power of the Russian hero, his enemy is hyperbolically depicted. The unhealed powers of the enemy “a gray wolf... cannot outrun a day, and a black raven cannot fly around a day.” (Slide 17 ends here) In the bilins, as in the works of folk poetry, the skin word is precise and expressive. Over the centuries, folk singers and singers have perfected the language of their poetic creations, hoping for a most precise and colorful, expressive revelation through the words of the real mercenaries of the heroes and their principalities. Thus, even the richest and most varied of poems in poetic poetry are of great importance, indicating the most common sense of people, objects, and manifestations of life. (Slide 18 ends here) Often the same adjectives themselves consistently characterize these or other heroes, objects, phenomena of life, nature, etc. bud. Therefore they are called constant adjectives. The Bilins, for example, have such constant epithets: good good fellow, great strength, glorious and stylish Kiev-grad, tight bow, Shovkov’s aunt, hartovan arrows. (Slide 19 ends here) Often in bilins there is a leveling: It’s overtaken by the silushki, chornim-chorno, Black and black, like a black crow. Volga walks like a pike in the blue seas, Volga flies like a bird-falcon under the shell, Vovkom nishporiti in the open fields. (Slide 20 ends here) Vikorystvoyutsya negative level: It’s not like an old oak tree to fall to the ground, It’s not the paper leaves that are spreading out, He bows before his father... (Slide 21 ends here) It is necessary to emphasize any kind of sense of the word, important, in the mind of the people's spivak, for the sake of understanding, the evidence of Bilin is widely used with synonyms: “Olga has become a motherly woman”; “And shout and yell and village,”; “Here Illi became for the sake of the image, for the great annoyance I felt...” (Slide 22 ends here) An important role in the language is played by names with alternating and pestilny suffixes. The stench determines the people's assessment of the heroes of Bilin. Bogatyrs are often called by motley names: Ilyushenka, Dobrinyushka Mikitovich, Mikulushka Selyaninovich, etc. (Slide 23 ends here) Suffixes of affectionate meaning become stagnant in words that signify objects that belong to the rich man. This one has “guarded arrows”, “seat”, “bridles”, “overall”, “spots”, etc. (Slide 24 ends here) Bilina appears to be sleeping. Kneading on your feet, you often put voices on the singing words, and other words, without looming voices, seem to be angry in one word (“matir-roz’em”, “heal”). In connection with this, the word has different voices in the same biline (Nightingale-Nightingale, young, young, young). (Slide 25 ends here) Old folk poetry has stories that tell about the peaceful, working life of the Russian people. Tse bulini pobutovi. The most important of them is Bilina about Olga and Mikula. It glorifies folk practices. In Illya Muromets, the people grew up with the villager-warrior, the hero - the heir of the Fatherland. In the image of Mikulya, he glorified the peasant-farmer, the hero - the annual bearer of the region.
Bilini is a marvelous piece of folklore. Tales about rich men, about Mother Russia, about true friendship and honor often appear richly woven into the lost legends and myths of Western Europe. And everyone knows the names of the heirs of the Russian land: Alyosha Popovich, Dobrinya Mikitovich and Illya Muromets - they themselves will be the first to guess when it comes to rich people. The skin has three functions, but at the same time the smell is impossible, just as Rus' is possible under the protection of its knights. You can reveal the image of the characters from above, both their actions and their words. And most often, the very rounded phrases make it possible to understand the hero much more clearly. What is special about the language of Illya Muromets, the eldest of the rich people? How do you characterize the words you use? Let's try to find out. BiographyTo start, you need to get in touch with whoever Illya Muromets is. How to wash in bilins, after being frequently paralyzed, lying on the stove for thirty years, and then being healed by the crippled elders who pass through his near village of Karacharovo. They endowed the man with heroic strength, taught him how to properly train a horse, which is visible no matter how tested, and they sang to Illa that death in battle will not threaten him. The newly created knight conquered all the way to Kiev, becoming the leader of all the rich Russians. Since then, Illya Muromets has stood on the borders of Russia and faithfully served Prince Volodymyr, regardless of all the approaches of the rest. 
We highlight the fact that many of our descendants respected the great hero of the incarnations of St. Elias of Pechersk, whose relics rest at the Kiev-Pechersk Lavra. In all legends, the authority is not limited to the middle of the rich, but the princes allow themselves to feel the truth (here there is an emphasis on those who can not obey Volodymyr Ill only through violating the instructions of his Christian principles). The constant struggle of the rich man and the prince is the axis in which the peculiarities of the language of Illya Muromets are seen especially clearly. Every single person in all of Russia could not say a word against the will of Volodymyr, but the eldest of the knights not only suppressed punishments, but allowed himself to portray the Baptist of Russia: in the biography about Illa Muromets and Kalina the Tsar, we speak about those “for a dog” , Prince Volodymyr, don’t let me get away from you! As another peculiarity of Illya Muromets’s story, one can see the gradual affection of others, not aggressively, but rather friendly: the rich man greatly wants to help those who are absent. Without a doubt, Illya Muromets can be called a peace-loving, and at the same time, an implacable defender of the Russian land. LikuvannyaIn the first part of the story about Illya Muromets, the mighty rich man stands before the reader, a sick person who, for thirty years, has not been able to earn a living. The elders-pilgrims pass through their illnesses in order to convey great strength to the main character and give due service to the prince. What are the peculiarities of the language of Illya Muromets in this bilina? Vin vikorystova repeats in order to convey his thoughts more beautifully (“sidzhyu sidzhu”), and also the subversive pestilian suffixes (“the strength is great”) - this is the peculiarity of all positive heroes of Bilin. And he attacks those who are above the elders without respect, behaves recklessly with them and fervently approaches them for healing. Based on a couple of remarks that the hero picked up from what he said, one can understand that the language of Illya Muromets in the bilins is extremely important, it is placed with respect to those who are weaker than others, and in the same place will be stronger. Nightingale RozbiynikAnother source of information tells about the battle between Illya and the Nightingale the Robber. Bilina begins with the already noted peculiarity of the language of Illya Muromets - value (his dialogue with the men from Chernigov). And then, with the still indirect contact with Solov, when he felt the whistle of frenzy, he hesitated and was inspired to go earlier, the bogatyr vikorist and husky (“grass bag”, “vovcha city”), and a punitive tone. It is also possible to count a large number of repetitions (for example, when describing his route to Kiev, the rich man says “by” many times, overthinking all the places he happened to pass through). 
Kalin-TsarAt the very beginning of the story about the battle with Kalin the Tsar, the words of the hero sharply diverge from his first rank. Mova Illi Muromtsya, if you want to sip even water into the shredder without any harm, does not at all look like a prohanna, but from the explanations it is more like a punishment. The truth in the knight’s monologue before the heroes again appears to be a strong emphasis on this Christian prototype: It emphasizes that they are not so guilty of seizing Prince Volodymyr in the face of a threat, as of standing up for the temples and for the faith. In addition, in this case, he acts as a useful peacemaker, protecting his comrades from killing the buried enemy. Additional features can be called dispersion of applicators and alternating-pastilent suffixes (under the hour of attention with other knights, he emphasizes his good placement). 
VisnovokWell, why is the language of Illya Muromets special? There is a great number of repetitions and alternating pessimistic suffixes in the language, which is typical for all bilingual heroes. At the same time, your words are filled with wisdom and peace. This hero is one of the most beautiful images of Russian literature.
Lvova Tetyana Vasylivna,
reader of Russian language and literature
MBOU "ZOSH No. 24" Bratska metro station
Subject: literature
UMK: Albetkova R.I. “Russian literature. From words to literature. 6th grade"
Equipment: computer, multimedia installed.
Lesson topic: “Bilini. Artistic features of bilin. Bilina “Illya Muromets and the Robber Nightingale.”
Goals: the formation is intended to differentiate bilina from other genres of literature; creation of the mind and development of competencies: culturological - knowledge of the culture of the Russian nation; information – carefully extract information from different sources (manipulated text, living word); communicative – to enter into conversation; development of creative abilities of students; formulating a statement about the role of artistic image-creating abilities in creativity; development of skills in literary text analysis; UUD molding.
Get busy
Congratulations to those.
Setting educational goals for students.
The theoretical part.
Working on new material
Familiarize yourself with the entries on the information sheet (see Appendix No. 1).
Listen to the teacher's report on the topic “Bilini. Artistic features of bilins" (addition No. 2), which is accompanied by a presentation.
Update the information with the entries in the information sheet.
Supplement the entries with the necessary information.
Ignore all stolen information
Practical part:
The genre features of the book from the text “Illya Muromets and the Nightingale the Robber” (the text of readings at home) are examined.
Work in groups. (Wonder addendum No. 3)
1 group. The plot is the composition of the bilin.
2 group. The main heroes of the bilin. I create an idea.
Find out the characteristic artistic features of the bilin.
4 group. Uzagalnennya and visnovki.
5 group. More creative than the factory.
Fizkultkhvilinka. (Wonder addendum No. 4)
Improving the results of the work group.
Reflection.
Have you achieved your occupational goals?
Self-esteem.
Addendum No. 1.
Information sheet.
Learn about theoretical materials from your information card. Listen to the teacher's message. Supplement the card with the necessary information, in your opinion.
Bilina is a solid source of folk creativity that is based on …………………
Bilina consists of the following parts:
1) sleep (introduce reading in the world of folk mysticism);
2) the beginning (indicated by the place of the day, the name of the main character);
3) tying (poya is important);
4) climax (central stage);
5) outcome (victory of the positive hero);
6) ending (glory is given to the hero).
Artistic features of the biline:
1) repeat words, episodes, episodes;
2) animal husbandry;
3) tricity (often the number three is a multiple of the third number).
The bowline top is a special top, based on an equal number of voices in rows (usually 3 voices in a row) and, however, spread out shock folds at the end of the skin row (most often shock is the third end of the row warehouse).
Addendum No. 2
Bulini. Artistic features of bilin.
The sleep of the people's poetry has been greatly reduced since they were unable to read or write. (Slide 2 ends here)
Rich and varied folk creativity. In Kazakh songs, people learned about important historical events, about their work, about their adventures and secrets, and about a happy, just life. (Slide 3 ends here)
Folk wisdom, caution, abundance and virtuosity of folk language are found in sayings, orders, riddles. (Slide 4 ends here)
Vinyatkov's interest among works of folk art is represented by bilins - artistic and historical songs about heroes, folk heroes. (Slide 5 ends here)
The main cycles of bilin: Novgorod and Kiev (Slide 6 ends here)
The event for most Bilins will take place in Kiev. These books tell about the life, life and people of the other largest city of ancient Russia - Novgorod (boules about Sadko, about Vasily Buslaev). (Slide 7 ends here)
Kiev bilins are heroic (or heroic) bowls. Heroic stories tell about the man's defense of the fatherland, about the rich, their struggle against the nomadic enemies who attacked the country. (Slide 8 ends here)
Bilini will be behind the singing plan.
Most bilins begin with a beginning. Ask anyone to talk about the place of action or about those where the rich man went (Slide 9 ends here)
Chito from the place from Murom,
From that village that Karacharova
Vizhjav in the distance, good, good fellow.
Standing at Matins at Murom,
And until today we will catch up at the Kiev-grad canteen. And having gone to the glorious place of Chernigov,
Where is the city of Chernigov
It’s overtaken by the silushki, chornim-chorno,
And y chornim-chorno, like a chorny crow. (Slide 10 ends here)
Pods in bilins are laid out in a strict order, sequentially. The conversation is conducted gradually, without haste. (Slide 11 ends here) So, as the Bilins lived in the old show, they finally focused the respect of the listeners on especially important, in my opinion, places. For this reason, there is a wide repetition in bilins, call three times. Thus, in the biography about Illya of Murom and Nightingale the Robber, the description of the power of Nightingale the Robber is repeated three times. (Slide 12 ends here)
To give a new biline, create a more expressive, musical composition, often repeating words around the bilin.
The straight path is blocked,
The path was blocked up and walled up.
At the capital city in Kiev,
At the prince's at Volodymyr's. (Slide 13 ends here)
Repetitions occur in the text of one and the same biline. Various bilins, however, describe similar events, phenomena, such as the saddle of a rich horse, a banquet at Prince Volodymyr, a sorcerer of power, a battle of rich men with enemies, etc. (Slide 14 ends here)
Sometimes the bilines end with a special ending - laying the bilins from the same place:
That's the old man, that's the activity,
That's how it used to be in the old days, it's nonsense. (Slide 15 ends here)
The leading hero is Bilin, a Russian hero. In order to more clearly demonstrate the power of the hero, take hyperbole (excess). For example, the axis is described as a hero with magical powers. When the rich man waves his right hand, a street appears in the middle of the warrior’s camp, and a path opens with his left hand. The hero's club (sword) costs forty or ninety pounds. (Slide 16 ends here)
If a hero falls asleep, then “the hero’s sleep lasts twelve days” (days). To become a hero is the same thing: “the first leap of a horse is many miles away, and the next leap is impossible to know.” To give voice to the power of the Russian hero, his enemy is hyperbolically depicted. The unhealed powers of the enemy “a gray wolf... cannot outrun a day, and a black raven cannot fly around a day.” (Slide 17 ends here)
In the bilins, as in the works of folk poetry, the skin word is precise and expressive. Over the centuries, folk singers and singers have perfected the language of their poetic creations, hoping for a most precise and colorful, expressive revelation through the words of the real mercenaries of the heroes and their principalities. Thus, even the richest and most varied of poems in poetic poetry are of great importance, indicating the most common sense of people, objects, and manifestations of life. (Slide 18 ends here)
Often the same adjectives themselves consistently characterize these or other heroes, objects, phenomena of life, nature, etc. bud. Therefore they are called constant adjectives. The Bilins, for example, have such constant epithets: good good fellow, great strength, glorious and stylish Kiev-grad, tight bow, Shovkov’s aunt, hartovan arrows. (Slide 19 ends here)
Often in bilins there is a leveling:
It’s overtaken by the silushki, chornim-chorno,
Black and black, like a black crow.
Volga walks like a pike in the blue seas,
Volga flies like a bird-falcon under the shell,
Vovkom nishporiti in the open fields. (Slide 20 ends here)
Vikorystvoyutsya negative level:
It’s not like an old oak tree to fall to the ground,
It’s not the paper leaves that are spreading out,
He bows before his father... (Slide 21 ends here)
It is necessary to emphasize any kind of sense of the word, important, in the mind of the people's spivak, for the sake of understanding, the evidence of Bilin is widely used with synonyms: “Olga has become a motherly woman”; “And shout and yell and village,”; “Here Illi became for the sake of the image, for the great annoyance I felt...” (Slide 22 ends here)
An important role in the language is played by names with alternating and pestilny suffixes. The stench determines the people's assessment of the heroes of Bilin. Bogatyrs are often called by motley names: Ilyushenka, Dobrinyushka Mikitovich, Mikulushka Selyaninovich, etc. (Slide 23 ends here) Suffixes of affectionate meaning become stagnant in words that signify objects that belong to the rich man. This one has “guarded arrows”, “seat”, “bridles”, “overall”, “spots”, etc. (Slide 24 ends here)
Bilina appears to be sleeping. Kneading on your feet, you often put voices on the singing words, and other words, without looming voices, seem to be angry in one word (“matir-roz’em”, “heal”). In connection with this, the word has different voices in the same biline (Nightingale-Nightingale, young, young, young). (Slide 25 ends here)
Old folk poetry has stories that tell about the peaceful, working life of the Russian people. Tse bulini pobutovi. The most important of them is Bilina about Olga and Mikula. It glorifies folk practices. In Illya Muromets, the people grew up with the villager-warrior, the hero - the heir of the Fatherland. In the image of Mikulya, he glorified the peasant-farmer, the hero - the annual bearer of the region.
Addendum No. 3.
Group. The plot is the composition of the bilin.
Draw up a plan of the biline, including the main steps.
Find in the text the compositional parts characteristic of bilina: beginning, beginning, climax, resolution and ending.
How do you understand the sense of the ending?
What is fantastic and what is real in Bilin? (Follow the beginning of the Bilin and the traditional Kazkov beginning “In a real kingdom, in a real state...”).
Find real historical characters, name the place, history history).
Group. The main heroes of the bilin. I create an idea.
Give a description of the main characters of the book: Illy Muromtsya (analyze the episodes of the battle of Chernigov, the fight with the inhabitants of Chernigov, the battle with Solovyam and the arrival to Kiev) and Solovy-Rozbiynik. Let us know that the offensive images are hyperbolic. Is there ever a hyperbole in the hour of creation of the image of Nightingale the Rogue? Illy Muromets?
Explain the popularity of the image of Illya Muromets. Where does the idea for creation come from?
3 group. Artistic features of bilin.
Find out the characteristic artistic features of bilinia
4 group. Uzagalnennya and visnovki.
Focusing on the results of the work of all three groups, prepare a speech on the topic: “What is the truth of “Illya Muromets and Nightingale-Rozbiinik” by bilina?”
5 group. More creative than the factory.
Write a short text about those who are like Bilina, what are their features, hidden on the display, so that they fit on the information sheet (mind: the text may be written in Bilina’s verse, so it will be a text of a hereditary nature).
Addendum No. 4
Fizkul'tkhvilinka "Bogatyri"
Let's talk, boys,
Now let's get ready to charge.
They stood up together: one, two, three,
We are now rich! (get up)
We are tight and tall, (stand up on your backs, raise your arms up, stretch)
Our shoulders are wide, (spread your arms outstretched, stretch)
We wear chain mail, (they mean roc)
The war horses are saddled,
We're all on patrol, (download)
Take a look at the ground:
Didn't the evil Tatar attack?
How is the dark blue sky?
We stand at the outpost,
Legs spread wide apart. (Stand up with your legs apart)
Marvel at the back of the valley
Right-left-handed (simulates a roc), the torso is frail:
There are no hidden traces, (they scoff)
Chi do not fly three-headed (marvel up the mountain, bending your back)
Shall we depict the Russian people as serpents?
Is everything calm? You can sleep!
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