There will be no one in the house,
Cream of sutіnki. One
Winter day at the dripping door
Chi didn't close the curtains.
Just a few white wet breasts
A flicker of moss,
Tilki dakhi, snow, ta, cream
Long story short, no one.
And re-christen the other one,
I want to spin it with me again
Torishne sumuvanya
And cope with the winter differently.
I will prick again until now
Guilt not let go,
І century crossbar
The hunger of the wood crushes.
Ale is not covered by the curtain
To run through the doubtful three thousand, -
I am quiet in my heartbeats.
You will leave as soon as possible.
You show up at the door
I feel white, without chimeras,
I feel sick because of these matters,
There are some plastic ones to sew.
1931
Analysis of the poem “There will be no one in the house” by Pasternak (1)
The creativity of Boris Pasternak is incredibly difficult to understand. Do something completely metaphorical, and take revenge on yourself. Without knowing the circumstances of a special life, he sings, which in the first place can be captured by this sense. Versh “There will be no one in the house...” (1931) is completely connected with the important spirit in Pasternak’s life. Whose fate was it that he broke ties with the first squad and created a new homeland with Z. Neuhaus. This idea caused a scandal and gave birth to a lot of people, including a woman who was also a friend of Pasternak.
The first part of the verse signifies the poet’s self. Apparently, he has already left the first squad and is waiting for the arrival of the kohanoi. Now is the time to think carefully about what has happened. The identity of the lyrical hero is not destroyed by anyone. It breaks down in too much light. The clarification of “cream” speaks of his lack of respect for the human world. “Krim sutіnki”, “krim dakhiv i snigu” – the presence of inanimate objects clearly confuses the author’s self.
The gloomy winter landscape sets the lyrical hero in bleak times. “Minulorske Sumuvannya” is undoubtedly connected with the family life that happened not long ago. The author feels “unaccepted guilt.” Pasternak does not forget his first squad. We can assume that this was the reason for the disintegration of the family.
The appearance of the heroine completely changes the action. Here you are in anticipation of the “doubtful three days” written on the portier. It becomes clear that the author was checking on the kohan with great impatience, simply resolutely grabbing his reader’s attention. Having stayed at the hourly and spacious camp. This is reinforced by the heroine’s equals from “probability”. In a melodious manner, Pasternak did not sing until the end of the song, that for the sake of a new woman he would leave his man. Therefore, without making long-term plans and without going to death. The appearance of the woman illuminated my entire life and awakened faith in a happy future.
A change in the mood of the lyrical hero conveys a change in his effective action. If at the beginning the snow is associated with “white wet breasts”, then at the end the image of the windy “plastics” appears. The stinks symbolize the unearthly material from which the main character is chosen.
Versh “There will be no one in the house...” deeply reflects Pasternak’s seemingly peculiar experiences. It is a necessary element for a rational life and the creativity of a poet.
Analysis of Pasternak’s poem “There will be no one in the house...” (2)
Most poets in their works try to convey what they feel at the moment of their writing. It is not surprising that famous lyrical masters often focus on philosophical and political views, and when they sing from a clearly expressed citizen’s position, they often write about khannia. Boris Pasternak is not to blame for this, and his authorship is responsible for most of the most interesting topics.
He himself sings without any respect for himself as a human being, as he is created to express in subtle words the words of the senses, and deeply heeds about those that he can learn. However, behind the heights of Boris Pasternak one can trace the most important aspects of his special life. The example of such a work is the verse “There will be no one in the house...”, which another friend Zinaida Neuhaus sings in dedication.
The novel of Pasternak and Neuhaus was reputed by tiles and fiction. However, it was no secret to anyone that he was singing, having actually joined his new squad with his closest friend. At that time, Pasternak already had a family, and Zinaida Neuhaus herself had been in a legal relationship for at least 10 years. However, it didn’t start to tear up the hundred-year-olds with their “halves.” The beginning of this extraordinary novel is described in the poem “Nothing to be found at home...”, created in 1931. It begins with the fact that the author, enjoying the winter evening “at the dripping open of the uncurtained curtains,” guesses how he has ruined his first family. The author senses a sense of guilt, and he will have to face “another sum and a different winter” if he separated from his first squad, Evgenia Lurya. Pasternak doubts that he has done it correctly and judiciously. Even on one side of Teresia’s family this child appeared, and on the other it seemed as if not soon the seal of special happiness. The reason for this doubt is the one who gave up his heart. “I’m silent as the crumbs fade, and as soon as tomorrow you will leave,” - this is how Zinaida Neuhaus herself sings when she appears not only in an apartment with frost-covered windows, but also in her life. Informing about the selected selection, Pasternak notes that the wine is as white as the plastic snow behind the window, thereby enhancing the perceived purity of the woman’s taste and the simplicity of her ingredients. The image of Zinaida Neuhaus has a romantic aura, but at the same time she portrays her as an exceptional earthly person who loves and bestows happiness on those whom she loves.
Boris Leonidovich Pasternak
There will be no one in the house,
Cream of sutіnki. One
Winter day at the dripping door
Undrawn curtains.
Just a few white wet breasts
A flicker of moss,
Tilki dakhi, snow, ta, cream
Long story short, no one.
And re-christen the other one,
I want to spin it with me again
Torishne sumuvanya
And cope with the winter differently.
I will prick again until now
Unaccepted guilt,
І century crossbar
The hunger of the wood crushes.
Ale is not covered by the curtain
To run through the doubtful three thousand, -
I am quiet in my heartbeats.
You will leave as soon as possible.
You show up at the door
I feel white, without chimeras,
I feel sick because of these matters,
There are some plastic ones to sew.
Most poets in their works try to convey what they feel at the moment of their writing. It is not surprising that famous lyrical masters often focus on philosophical and political views, and when they sing from a clearly expressed citizen’s position, they often write about khannia. Boris Pasternak is not to blame for this, and his authorship is responsible for most of the most interesting topics.
He himself sings without any respect for himself as a human being, as he is created to express in subtle words the words of the senses, and deeply heeds about those that he can learn. However, behind the heights of Boris Pasternak one can trace the most important aspects of his special life. The example of such a work is the verse “There will be no one in the house...”, which another friend Zinaida Neuhaus sings in dedication.
Zinaida Neuhaus
The novel of Pasternak and Neuhaus was reputed by tiles and fiction. However, it was no secret to anyone that he was singing, having actually joined his new squad with his closest friend. At that time, Pasternak already had a family, and Zinaida Neuhaus herself had been in a legal relationship for at least 10 years. However, it didn’t start to tear up the hundred-year-olds with their “halves.” The beginning of this extraordinary novel is described in the poem “Nothing to be found at home...”, created in 1931. It begins with the fact that the author, enjoying the winter evening “at the dripping open of the uncurtained curtains,” guesses how he has ruined his first family. The author feels a sense of guilt, and on the other hand, “it’s a waste of money and it’s better to deal with it in winter.” when you separated from your first squad, Evgeniya Lurya.
Evgeniya Lur'ie
Pasternak doubts that he has done it correctly and judiciously. And even on one side of your family this child appeared, and on the other - it seemed as if it would not soon be a guarantee of special happiness. The reason for this doubt is the one who gave up his heart. “I’m silent with the passing of the crumbs, and as soon as tomorrow you will leave,” - this is how Zinaida Neuhaus sings, not only in her apartment with frost-covered windows, but also in her life. Informing about the selected selection, Pasternak notes that the wine is as white as the plastic snow behind the window, thereby enhancing the perceived purity of the woman’s taste and the simplicity of her ingredients. The image of Zinaida Neuhaus has a romantic aura, but at the same time she portrays her as an exceptional earthly person who loves and bestows happiness on those whom she loves.
“There won’t be anyone in the booth...” Boris Pasternak
There will be no one in the house,
Cream of sutіnki. One
Winter day at the dripping door
Undrawn curtains.Just a few white wet breasts
A flicker of moss,
Tilki dakhi, snow, ta, cream
Long story short, no one.And re-christen the other one,
I want to spin it with me again
Torishne sumuvanya
And cope with the winter differently.I will prick again until now
Unaccepted guilt,
І century crossbar
The hunger of the wood crushes.Ale is not covered by the curtain
To run through the doubtful three thousand, -
I am quiet in my heartbeats.
You will leave as soon as possible.You show up at the door
I feel white, without chimeras,
I feel sick because of these matters,
There are some plastic ones to sew.
Analysis of Pasternak’s poem “No one will be at the house...”
Most poets in their works try to convey what they feel at the moment of their writing. It is not surprising that famous lyrical masters often focus on philosophical and political views, and when they sing from a clearly expressed citizen’s position, they often write about khannia. Boris Pasternak is not to blame for this, and his authorship is responsible for most of the most interesting topics.
He himself sings without any respect for himself as a human being, as he is created to express in subtle words the words of the senses, and deeply heeds about those that he can learn. However, behind the heights of Boris Pasternak one can trace the most important aspects of his special life. The example of such a work is the verse “There will be no one in the house...”, which another friend Zinaida Neuhaus sings in dedication.
The novel of Pasternak and Neuhaus was reputed by tiles and fiction. However, it was no secret to anyone that he was singing, having actually joined his new squad with his closest friend. At that time, Pasternak already had a family, and Zinaida Neuhaus herself had been in a legal relationship for at least 10 years. However, it didn’t start to tear up the hundred-year-olds with their “halves.” The beginning of this extraordinary novel is described in the poem “Nothing to be found at home...”, created in 1931. It begins with the fact that the author, enjoying the winter evening “at the dripping open of the uncurtained curtains,” guesses how he has ruined his first family. The author feels a sense of guilt, and on the other hand, “it’s a waste of money and it’s better to deal with it in winter.” when you separated from your first squad, Evgeniya Lurya. Pasternak doubts that he has done it correctly and judiciously. Even on one side of Teresia’s family this child appeared, and on the other it seemed as if not soon the seal of special happiness. The reason for this doubt is the one who gave up his heart. “I’m silent with the passing of the crumbs, and as soon as tomorrow you will leave,” - this is how Zinaida Neuhaus sings, not only in her apartment with frost-covered windows, but also in her life. Informing about the selected selection, Pasternak notes that the wine is as white as the plastic snow behind the window, thereby enhancing the perceived purity of the woman’s taste and the simplicity of her ingredients. The image of Zinaida Neuhaus has a romantic aura, but at the same time she portrays her as an exceptional earthly person who loves and bestows happiness on those whom she loves.
Boris Leonidovich Pasternak is undoubtedly one of the greatest figures of Russian literature of the 20th century. Having started his creative career as a futurist singer, Boris Pasternak became a leader in this genre, but he never stopped talking about the creativity of the people of the 19th century, which allowed the author to reveal his own self. new style. Its lyrics are characterized by penetratingness, imagery, and the practicality of the verse “There will be no one in the house,” written in 1931.
The top was seen in 1932 at the warehouse of the “Friend of the People” collection. This is dedicated to the period of Pasternak’s life, which can be characterized by the bright and long-lasting love letters from Zinaida Neuhaus, who became his squad at the river of the book. At the time of their birth, the two boys were already in love, and Zinaida’s boyfriend, pianist Heinrich Neuhaus, was a close friend of Boris Leonidovich. The separation from large families became the cause of important experiences for the poet, which he experienced at the top.
Gifts with Zinaida Neuhaus were found in Pasternak's life. However, after a distant friend, one kind of one (after the beginning of the novel he sings with Olga Ivinskaya) Pasternak did not dare to break up his relationship with his friend, and she left him before his death in 1960.
Directly, genre, size
At the time of writing, Pasternak had already positioned himself as a poet, which is “group poses,” which is evident in the theme of his creation, far removed from the ideas of futurism and modernism. We will top it off with an example of love lyrics, inspired by the creativity of the classics of the Middle Ages. However, it is spared the sentimentalism and lightly important romance that dominated the literature of that time.
“There will be no one in Budinka” is written in trochaic hexameter, its structure is characterized by the author’s use of cross rhine. This size allows you to achieve the necessary rhythmicity, which has the heart of a skilled hero.
Draw and symbolize
The image of the lyrical hero is a versh - a person who is sumy, deeply overwhelmed with thoughts and experiences. The main point that the character experiences is selfhood. It seems like the man is guilty (Pasternak’s separation from his first squad), the impatience of his future behavior gradually outgrows his mental entanglement. The hero goes away in silence and darkness, in the little room, besides, there is nothing and no one, “except for the sotinki.”
The first half of the top is spared by any action, it is intended to create an image of the self, a wasted person that has been deeply buried within itself. However, in another part, after the moment, when the character begins to think about the reasons for his experiences, the author introduces the symbol of hope of the hero - his kohan. Without describing them in detail, Pasternak creates only an image that is responsible for creating a resonance with everything, a rather unquiet atmosphere that traps the hero in his dark thoughts. The appearance of the kohanoi symbolizes the person's faith in the light of May. The ending is open-ended, so the hero’s hopes are deprived of his hopes, which adds sensitivity to the author.
Themes and moods
The main theme of creative work is the theme of kohannya. Pasternak deeply experienced the situation that arose after the separation of the farmers from their large families, and this situation is one of the leading leitmotifs of the poem. The hero reproaches himself for what he is trying to achieve, remains in uncertainty until his future - having been inspired by the past, he remains in suspense, doubting the correctness of his decision.
The theme of self-esteem is also obvious: you have to fight against yourself all the time, and no one can help you make a choice.
The mood of the world collapses due to the heavy self-regard, which may even outgrow until it seems that hope appears, which is the hero’s inner connection.
Idea
The main idea of the poem is the spiritual regeneration of the lyrical hero. Pasternak speaks about those who, in any difficult situation, do not stumble, and there is hope for the bright future. Describing his deep desperation and self-confidence, he shows that depression can take people out of life, put them under lock and key, and hope is the only thing that allows them to leave their inner circle. teeny.
I create sense in the triumph of the khan over the doubts, selfishness and mental turmoil of people. VONA is coming, and that’s it, winter is coming, bringing forth delicate, light and inviting shapes, charming farbes. Everything that happened before his arrival was a dream, the remaining serpanok that had dissipated in the morning.
Features of artistic expression
Conveying the mood of the story is helped by a large number of epithet, which describe the situation that suits the hero - at home, all of which creates a restless, restless atmosphere, in which a whole spectrum of emotions is experienced - especially I would like to express that I should live by my self-esteem until I see the hope that arises from me character about the appearance of Yogo Kohanoi.
Parsnip vikoryst details characteristic of the winter season, such as snow, cold, etc., with their additional effect of devastation, internal congestion, insolation, loss of the head hero.
The great amount of white color in this description gives it the meaning of a cold color. Also, the author actively uses anaphora, such as how to spin it again, and spin it again with me.
Also, to focus on the imagery of the top, Pasternak Vikorist metaphors, such as “invading three-dimensional darkness”, “flying flash”, which allows the reader to plunge deeper into the atmosphere of the creation.
However, at the moment of the appearance of the main hero, the author gives the white color a different character - now the color symbolizes light, simplicity, once again reinforcing the association of the heroine with the hope of the main character, who will probably be born in the future.
Tsikavo? Save it on your wall!There will be no one in the house,
Cream of sutіnki. One
Winter day at the dripping door
Unsleeved curtains.
Just a few white wet breasts
A flicker of moss,
Tilki dakhi, snow, ta, cream
Long story short, no one.
And re-christen the other one,
I want to spin it with me again
Torishne sumuvanya
And cope with the winter differently.
I will prick again until now
Unaccepted guilt,
І century crossbar
The hunger of the wood crushes.
Ale is not covered by the curtain
To run through the doubtful three thousand, -
I am quiet in my heartbeats.
You will leave as soon as possible.
You show up at the door
I feel white, without chimeras,
I feel sick because of these matters,
There are some plastic ones to sew.
(No Ratings Yet)
More verses:
- I’m not a nuisance for anyone, - I’m alone, hopelessly alone, Why am I viciously shutting myself up in the silence of the snowy valleys? Heaven and earth are me, the foolish and the stranger.
- What is our forecast for today, my dear? Why are you out of tune again? Just tell me: “Lord have mercy! What kind of fools do you have respect for?” The best weather in Budinka...
- There is no one in the world of our sweet little fools, Elka. Taking bis and fronds from the neck of the Christmas tree. Where are the booths? Behind the ford. What do you smell like? Honey...
- There is quite a lot of nobody, so don’t die. Let us organize a meeting with you! Marino, write me a letter - I’ll tell you on the phone. Let it be so, as fate has it, let it be...
- Don't dare to respect anyone Cover your eyes with crooked eyes Side-by-side in exchange for a waterfall And a garni of ensigns With a white, clean side of a paper In a black guise Be like the golden anniversary Child...
- Nobody lies to anyone. I kozhen, yak vovk, adverbs. Neither grandma's chaklunnost, nor the loyalty of the great squads will give anything, nothing. The apple blanket vibrates with paper and ink. You're dying...
- What is it in life that we don’t love anyone, If we can’t love anyone, If in the past we have nothing and in the future we have no heart...
- Why, you don’t love anyone, are you hitting so hard on yourself? Do you want to be loved? My dear, there’s so much you want! Do you want them to be loved? For what? Chi are not for those who in a word...
- Never again will I have all the same things - I will be given something else later. More sonorous, stronger, more savvy. My path is at my place. There you will be by the river, like a lamp. I'll wait, I'm in the dark...
- There’s nothing wrong with a watered-up booth. This year has died down long ago - The memory is crying. And in the cold I drink the weather like wine. There, behind the vacant lots, Behind the boulevard on the street...
- …And again On one of the galleys Between the cheerful oak-trees - Rotted decks of dugouts and a row of trenches that were watered. Thread helmets, booties, windings It's not an hour to wrap gunpowder... Ah, soldiers, my...
- Sonjachne kolo, Nebo navkolo - Tse is a little boy. Having painted it on the arch and signed it at the corner: May there always be sun, May there always be heaven, May there always be a mother, May there forever be a mother...
- Where are you taking me, what are you sleeping in - autumn, sleepless, dawn? The lifeless leaves bursting from the golden leaves, why am I following you in reality? There is no one on the street... Only the darkness silently...
- I told myself: stop writing, and I’m just asking for my hands. Oh, my dear mother, love your friends! I’m lying in the ward - they’re sticking around, I’m not sleeping: I’m afraid - I’ll pounce, - Aja is instructing - ...
- One day, if I didn’t smell the stench, I wasn’t a slave, but all the souls of a resurrected sanctuary were human. It was Great Day one day on the river and night of Christ's Resurrection, When you marveled at...